Ocean & Wavz, "The Ones With No Name, A Desire for Anomaly", 2021. Installation view of "Curtain". Courtesy of Para Site, Hong Kong, 2021. Photo: Samson Cheung Choi Sang. Wooden platform and tatami, 350 x 350 x 50 cm. Nine linen panels, 280 x 100 cm each. Words stitched and dispatched on linen panels in 6 languages: English "The Ones With No Name", French "Les Sans Nom", Malay "yang tiada nama", Maori "o te aita e i’oa", Simplified Chinese "无名者", Traditional Chinese"無名者". 5 videos with 5 original soundtracks, 2021: "(Not) A Vision", 08.40; "Close To Me Against You", 02.21; "怪獣 Kaijū Forever Remain (PandeMix)", 08.12; "-ism", 05.25; "Oblivious", 07.19.
CURTAIN, Hong Kong, Para Site, Soho House, 2021
Chantal Akerman, Xyza Cruz Bacani, Leigh Bowery, Theresa Hak Kyung Cha, Felix Gonzalez-Torres, Cao Guimarães, Ho Sin Tung, Hu Yinping, Hu Yun, Derek Jarman, Shuang Li, Minouk Lim, Gustav Metzger, Ocean & Wavz, Jacolby Satterwhite, Daniel Steegmann Mangrané, Tan Jing, Robel Temesgen, Jason Wee, Cici Wu, Wu Jiaru, Stella Zhang, Jasphy Zheng, and Zhou Tao
Curators: Cosmin Costinas, Larys Frogier, Celia Ho, Anqi Li, Billy Tang, and Xu Tiantian
Collaborators: Biljana Ciric and Mathieu Copeland
Curtain the ob/scene or what can happen beyond the scene besides the eye before language beneath the skin below the image on the surface
Curtain unfolded allowing passages or separations filtering light, voices clothing bodies and furniture ornamenting a house, a skin absorbing smells, sounds reflecting shadows flowing with the wind breathing
Para Site and Rockbund Art Museum are thrilled to continue their fruitful collaboration with the new exhibition, Curtain, opening on 14 May 2021 at Para Site’s home and on 15 May 2021 at the institution’s temporary venue in Hong Kong’s Sheung Wan. Curtain is a continuation of the unique dialogue and partnership between the two institutions, which began in 2019 with An Opera for Animals that premiered at Para Site, with a jointly curated edition travelling to Rockbund Art Museum subsequently.
Presented across two venues in Hong Kong, the exhibition includes existing and newly commissioned works as well as site-specific interventions by 24 artists, offering a multi-layered experience that responds to the fluid concept of ‘curtain’. The exhibition makes artistic and conceptual references to passages, frontiers, separations, connections, occupations, circulations, and localities by drawing upon the mundane materiality of the curtain as a domestic object and its scenographic functions in various cultural contexts. Conceived as a framework to disrupt our usual habits of consuming visual culture, the exhibition also activates the viewer’s senses through acts of crawling into, lifting, peeking through, being guided by smell and sound, or that of reading, writing, and feeling a space.
Many artworks in the exhibition subtly unveil forgotten histories and raise critical questions in the age of surveillance by examining the production of the image and its instrumentalization in social media, science, art, and political regimes as seen in newspapers and photographic documents. In addition to exploring issues related to the visible and invisible in technology platforms and social structures today, other works look at smaller-scale ecologies on the periphery of the mainstream, attempting to understand the interdependence of different localities and the importance of transnational exchange from overlooked perspectives. In yet other artworks, ‘curtain’ not only serves as the physical partition in the exhibition space, but expands into the discussion of technology and the boundary of the screen. As people become more dependent on digital devices, the relationship between humanity and the world has also experienced a major shift, with digital devices becoming the main means for humans to learn about the world and themselves. Many of the works also focus on the performative dynamic between individual and collective forms of identity, and deepen the inquiry into how humanity perceives and differentiates the Other from oneself. For the practitioners featured in Curtain, each work represents a retracing of memories or a path into the future, with the anticipation to influence informational infrastructures that govern or haunt a post-COVID-19 pandemic world.
Curtain the transitional object a fetish a missed self the other Curtain performed as a scenographic material for theater opera dance exhibition cinema music puppet show TV news and entertainment
Lead Supporter: Shane Akeroyd
Headline Sponsor of Public & Digital Programmes: S. H. Ho Foundation
Venue Partner: Soho House Hong Kong
Logistics Partner: Brinks Fine Art Services
Alongside artist fees to all participating artists, Para Site is offering medical and dental insurance coverage for Hong Kong artists in the exhibiton, generously made possible by Jacobo Garcia Gil.
Para Site Art Space is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region. The Government of the Hong Kong Special Administrative Region provides funding support to the exhibition only, but does not otherwise take part in it. Any opinions, findings, conclusions or recommendations expressed in the materials/activities (or by members of the Para Site’s team) are those of the organisers of the exhibition only and do not reflect the views of the Government of the Hong Kong Special Administrative Region.